What Is A Peanut Gallery

The peanut gallery has long been a source of unsolicited commentary. Once upon a time performers played to it (instead of telling it to hush up). Times change, but one thing remains the same — the audience in the cheap seats may feel little compunction about keeping their opinions to themselves.

The phrase “peanut gallery” dates back to 1888 in American theaters. The least costly tickets for the show were seats in the back and at the top. Being in the rear didn’t keep the less-affluent patrons from being heard — especially not in the intimate settings of Victorian theater. Oh, and did we mention a snack often eaten in these seats? Yep, peanuts. When this section of the audience didn’t like the scene on stage, they would heckle the actors and throw peanuts.

in American theaters. The least costly tickets for the show were seats in the back and at the top. Being in the rear didn’t keep the less-affluent patrons from being heard — especially not in the intimate settings of Victorian theater. Oh, and did we mention a snack often eaten in these seats? Yep, . When this section of the audience didn’t like the scene on stage, they would heckle the actors and throw peanuts. in American theaters. The least costly tickets for the show were seats in the back and at the top. Being in the rear didn’t keep the less-affluent patrons from being heard — especially not in the intimate settings of Victorian theater. Oh, and did we mention a snack often eaten in these seats? Yep, . When this section of the audience didn’t like the scene on stage, they would heckle the actors and throw peanuts.

So “peanut gallery” came to mean, not just the cheap seats, but the rowdy, obnoxious folks who couldn’t keep their mouths shut during a performance. In earlier days, those on stage tried to appease the peanut gallery so as to avoid the salty missiles. Over time, performers have gotten a bit less accommodating.

In the 1950s, the children’s TV show Howdy Doody had its own peanut gallery composed of small children.

B. John

B. John Masters writes about democracy, moral responsibility, and everyday Stoicism at deep.mastersfamily.org. A lifelong United Methodist committed to social justice, he explores how faith, ethics, and civic life intersect—and how ordinary people can live out justice, mercy, and truth in public life. A records and information management expert, Masters has lived in the Piedmont,NC, Dayton, OH, Greensboro, NC and Tampa, FL, and is a proud Appalachian State Alum.